For two weeks we relished the bliss of perfect English midsummer in the most mystical part of the country, Glastonbury, where ley lines meet and legends were born, in The Vale of Avalon, the ancient mythic gateway to the heathen goddess; a place of pilgrimage for millennia.

I was onsite with the team of militant revolutionary dreamers and genius engineers known as Arcadia, easily the best sound system around and quite possibly the greatest show on earth.

Their meticulous attention to detail and fantastic organisation extends to the busy site canteen who kept me fed and watered with an ever-changing array of fresh veggie delights and herbal teas….

I painted anarcho punk slogans since 82 then graffiti at the birth of UK hip hop in 84, onto London’s tube system in 86 through the golden age of train graffiti moving to acid house backdrops in 89. The nineties and new millenium saw me painting at traveller squat parties and Reclaim the Streets protest raves. Throughout the quiet renaissance of classical, surreal and visionary oil painting I was at the easel and fused my skills back with graffiti in Shoreditch in 2009 then onto MuTate Britain with the Mutoid Waste Company in Ladbroke Grove under the Westway…

Now in 2010 I feel glad to have played a small part by painting for the next underground zeitgeist, one which takes influence and energy from all those phenomenon and more, but boldly maps out a new frontier that is purely its’ own…ARCADIA.

Like all underground revolutionary movements the gold rush is for the inner treasure. The ultimate reward is the accomplishment of the dream and the actualisation of the idea. At Glastonbury 2010 Arcadia surpassed all expectations and reached dizzying new heights of inspiration, engineering, teamwork, sculpture, music, lighting, pyrotechnics, performance art and energy as this film shows….

The Build

When we arrived onsite the Afterburner stage was still in its early stages, the ‘legs’ of the spider are actually scrap from customs xray machines that used to scan containers and lorries. Pure genius…

The core of the beast is expertly manoevered into place…

…and it shows its’ face.

In keeping with Arcadia’s militant branding and apocalyptic atmosphere I did the line-up board using their trademark stencil lettering, and carefully distressed the fragments of plane for that ‘hauled out of the swamp 5 years after the crash’ look….

…with lots of help from capable hands.

The entrance arch is a couple of modified plane wings, possibly from a glider, it’d been rubbed down to the bare aluminium so to keep the burnished metal intact on the ‘pipes’ I used Belton’s amazing transparent black spray paint to get the relief modelling without losing the wonderful texture which gleamed from underneath as the sun caught the metal…The design was finalised between myself and Pip Rush and based on carvings on an ancient Aztec  temple….

Here’s a video of the build in progress.

The line-up boards go up….

I then cut back over the black with Belton’s burner chrome to get a contrast against the aluminium and carefully painted the pop rivets and ‘crazy paving’ seams by hand.

Pip was keen to use my ‘Circuit Splat’ style so I modified it to pure abstraction with a vivid tribal background on some pieces of aeroplane scrap to hang behind the massive ‘Arc Bar’, the sun was pounding down…

After painting ‘til twilight the lights go on on the new Afterburner for the very first time and the eerie entity blinks into life.

Next day the crew finish building ‘stage left’ so I can start the piece.

Across the field the punk tent takes shape

After being branded with the Arcadia logo by their prop maker and effects guy, Simon, he begins work on the dirty-metal-effect background for my piece….

…and I start blocking in the arrows. Some respectful inspiration drawn from amigo Keen One here, but in 3 dimensions and distressed with a strong Elate/Arcadia twist….

….and lots of rivets, seams, gleams, glints and the Arcadia logo in the centre….

….everyone seemed to really like this.

Here the graffiti began to fuse with scrap art by Simon and Sam…

Finally after sweat and dedication, blisters, sprains and minor sunstroke Arcadia opened on Thursday 24th June 2010 to the public ….

  …who went nuts….while many crew take the opportunity to sleep until rested before re-emerging to enjoy the weekend.

My art at the Arcadia Arc Bar ‘scuse the poor shots

You could feel the heat on your face from the other side of the field. Experience Arcadia, they’re doing amazing things.

I’ll let the Lords of Lightning sign off this post as only they know how.

All pictures of Arcadia build by me and Jenny apart from a few select shots of Afterburner show and Glastonbury used  with permission Creative Commons and taken by Luke Blackmore, lusciousblopster, mark-vauxhall, medalliamagpie, Tangentical, fussy onion, Al Green midlander123 and bfirsh; thanks to all.

Massive thanks to Pip and Bertie and all Arcadia crew.

To See Exclusive Shots of Arcadia Glastonbury 2010 Build and Official Arcadia Videos Click Here To See My Post-Festival Blog Entry!

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 The Glastonbury Festival of Contemporary Performing Arts, is the largest open-air music and performing arts festival in the world.

The main attraction for many revellers for the last few years has been one of the smaller, more underground arenas known as Arcadia.

Arcadia is a synchronised pyrotechnic stage and lightshow sculpture arena featuring world class bands and deejays and illuminated by lasers, intelligent lighting, water jets and flamethrowers and is built from military and NASA scrap, primarily jet engine components.

Deejays and bands play live surrounded by what must be the most incredible spectacle of light, smoke and flame on the planet, as tens of thousands of people dance in an ecstasy of ritual theatrics and shamanic pyrotechnics.

Think Heironymous Bosch meets Mad Max versus ‘Close Encounters of the Third Kind’ and you’re getting somewhere.

I was delighted to find out that my painting is thought of so highly by the visionary behind Arcadia, Pip Rush, that I have been asked to design and paint all artwork for the entire Arcadia arena at this years Glastonbury, 2010; the festival’s 40th Birthday.

Pip’s the younger brother of Joe Rush,  founder of the Mutoid Waste Company and has spent much of his life since a baby in the delirium of Joe’s events;  we share many similar inspirations and themes in our work.

  The Hangman’s Beautiful Daughter- A Painting by Me…..

…and some Graffiti by me…..

We put our heads together and have been bouncing ideas backwards and forwards so expect  something a bit special.

Year by year Arcadia Spectacular have expanded at Glastonbury, starting off in ‘Trash City’ in 2008 with the Mutoid Waste Company. It was so successful that they were given their own field in 2009, this was in turn so successful that  this year, 2010; to quote organiser Micheal Eavis…

"We’re giving over an extra 15 acres to Arcadia …..because the feedback we got on that area was fantastic.”

As a result the Arcadia crew are ramping up the spectacular even further, featuring a new top secret ‘Afterburner’, the main stage structure, which  takes the whole show to the next level.

Mutating daredevils on highwires and trapezes will do battle with actual lightning bolts, pyrotechnics and flamethrowers high above the arena in a mid air extravaganza of cosmic significance and electric delight that will bring the ‘invisible world’ into living focus before your very eyes and ears.

I will be doing my best to provide this sensory feast with an incredible surround of amazing art that will help Arcadia to transport minds to places and times far from this dimension.

Thanks to the guys at Chrome and Black paint shop in Shoreditch, East London, yet again, for looking after us so well….

                      Arcadia Stage Line Up Glastonbury 2010

                     Weds 23rd-Sun 27th June 2010

Arcadia photos Creative Commons many thanks to Luke Robinson  theadz01 and Russ Garrett

Due to interference and a campaign of  intimidation, (related in my previous post) it has not seen the light of day.

I have also encountered other adverse reactions that I have not recorded here.

My intentions were not to make a pot of cash, (though a humble living would have been nice for myself and the other artists).

Instead my dreams were of an aesthetic aspiration, giving exposure to ignored, untrained visionaries and first generation London graffiti pioneers from the roots of our rich urban culture; exploring typography, symbolism, social commentary and archetypes, free from the restrictions of graffiti but freed by it’s energy to explore new dimensions.

I have made a reluctant decision to cancel forthcoming events.

I apologise to those who were to be involved in this project, including artists who have been preparing work and individuals and agencies I had engaged to help. I find it hard to believe that we have faced this level of opposition to something so authentic, and of such interest but this has unfortunately been the case.

……………….

“For better it is to do mighty things, to dream of glorious triumph, even though checked by defeats, than to take part with those poor souls who neither do much, nor suffer much because they live in the grey twilight that knows neither victory or defeat.”

Theodore Roosevelt- January 30, 1882 – April 12, 1945

It is with this wisdom in mind and in a spirit of peace that I relate this news.

Elate/ Jon

Now he’s back 20 years later, along with oldskool steel writers Fuel, Skore, Mear, Crok, Don myself and a few of London’s more new skool to take the vibe back to the raw, enabling a potent and complementary mix of the hardcore underground vibes and tribes….

and back inside for another shot of me and Vibes….

……and onto the wild, diverse art within, here’s Jimmy South of War Boutique

Lyle Doghead, LRRY and friend

Elate, Obey

Anarchist Crockery by Carrie Reichart

In Dog We Trust by Jolly Good, made with real dollar bills…

  Vera Bong

Dotmaster

The toilets…

New Arrivals…

What I have posted is a fraction of what is there, you really have to get down to this 12,000 foot space and experience the most revolutionary art happening London, probably even the world has ever seen.

The future is unwritten!!!

The Mutate Britain shop is now online check it here!!!!

Families are welcome to this multisensory extravaganza!.

Full dates and opening times below. We look forwarding to seeing you!

Opening times:

Opens December 4th to December 20th – FRI / SAT / SUN

Fri – 2pm -10pm
Sat-1pm – 10pm
Sun – 12pm-9pm

We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm

FRI & SAT (NO ENTRY AFTER 9PM)

SUN (NO ENTRY AFTER 8PM)

£2 before 6pm / £3 there after’

www.mutatebritain.co.uk

www.mutatebritain.wordpress.com

facebook mutatebritain

www.myspace.com/mutatebritain

Here’s some more pictures from the MuTate Britain Winter Show. I’m going to be adding a whole load more as a separate post at the weekend at some point as I need to rephotograph stuff to a half decent standard.

This has to be one of the best art exhibitions anywhere ever in my humble opinion and I’m very glad to have had a hand in it….If you like your surrealism apocalyptic your graffiti groundbreaking your grime genuine and your people straight up this is the place for you…..We kick of with Rubbish Fairy and House of Doll

Mear

Skore TRC

Crok

Achy

Towns

Fuel

Joe Rush

   Elate Vibes Lyle Doghead and LRRY and Pakka

Lyle Doghead and LRRY and Pakka with plane by Sam Haggerty and Dotmasters

Teddy Baden

Joe Rush

Wreckage International

Joe Rush and others

Sam Haggerty

War Boutique

Joe Rush

Sam Haggerty and Joe Rush

Obey Giant

Wolf and PXL

Andy Seize

Elate Vibes

Dotmasters aka Bagsy

Sam Hagarty and Dotmasters

Liam Cordy

Joe Rush

Mutoid Dave and others…

Elate Cazbee

Pure Indulgence

Families are welcome to this multisensory extravaganza!.

Full dates and opening times below. We look forwarding to seeing you!

Opening times:

Opens December 4th to December 20th – FRI / SAT / SUN

Fri – 2pm -10pm
Sat-1pm – 10pm
Sun – 12pm-9pm

We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm

FRI & SAT (NO ENTRY AFTER 9PM)

SUN (NO ENTRY AFTER 8PM)

£2 before 6pm / £3 there after’

www.mutatebritain.co.uk

www.mutatebritain.wordpress.com

facebook mutatebritain

www.myspace.com/mutatebritain

For those that haven’t heard, the exhibition One Foot in the Grove by Mutate Britain is currently on under the Westway, Ladbroke Grove, West London; each weekend until November the 1st 2009, 12-10pm.

The Westway is where the UK graffiti scene started in earnest when the Clash bought Futura 2000 there to paint in 1982.

The Mutoid Waste Company are a travelling band of punk-squatter mechanic artists led by Joe Rush that infected the acid house party movement with their dark and surreal bio-mechanoid humour, building scrap metal  wastelands and delirious mindscapes in a shock juxtaposition of realities guaranteed to give any trip a hair raising edge.

Think Heironymous Bosch versus Tron and you’re getting somewhere…

Inspired by the desolation of the 80s to escape into a parallel post apocalyptic universe they inspired a generation to create, myself included.

Some of the best acid parties I attended in the late Eighties and early Nineties had input from the Mutoid Waste Crew or their many splinter groups Circus Irritant, Circus Warp, Splattered Fantasy etc,  these plunged my young, impressionable and highly expanded consciousness into a Bermuda Triangle of anamorphic archetypes, cyborg spectres and grotesque apparitions in parody of human and machine form, fractured and echoed by laser and strobe, syncopated and shaken with deafening electronic bass.

The vibe was always intensely surreal, the most outrageously attired and hideously painted forms appeared from the flickering fog in theatrical convulsions, the music was the most twisted repetitive acid, deep and tribal, which stripped the senses gradually to total derangement, beat after pounding beat, until finally at one with the music the chaotic environment and your inner world became one.

Now twenty years later the Mutoids are under the Westway, and it’s not a squat, the police are not outside, the pounding house and techno has been replaced by an eclectic mix including ragga, reggae, punk, soca and rockabilly and the sweating, swaying trance-dancers have grown into bespectacled media professionals pushing buggys.

They still roll out the 303 acid sound when the fire-breathing machines get loose though…

Their amazing signature art, friendly warm family atmosphere and tongue-in-cheek vibe is however present in abundance, accessible and inspirational to the whole family, exhibited together with an array of street and graffiti art, so when I was asked to come and paint a wall I was honoured to oblige, being able to give something back to the community that gave so much inspiration to me in the mad days of the late eighties and early nineties!

It was very short notice so I improvised with some graffiti letters with a twist ….

There is no doubt in my mind from the captivated expressions on the faces of their visitors that their inspiration will grow into new and exciting ideas in years to come.

 Lyle Doghead and Lrry

Oh and by the way everything is for sale!

All photos by Jenny

So in their own words….

Below you will find details of how to get there and when it’s open. It’s one of London’s biggest underground art events ever. So don’t just hear about it, watch the video, read the info, explore the blog and get down to the show! We promise to look after you with our fully licensed bar, delicious food and inclusive festival atmosphere. There honestly, really and truly is no better way to enjoy art.

Open on : FRI 12-10pm / SAT 12-10pm / SUN 12-9pm

Ends: 01.11.2009

Location: 3-6 Acklam Rd, London, W10 5YU MAP

Entrance: £1 before 6pm – £3 thereafter

Website here Mutate Britain

‘If This Is Peace…’ 

Oil on Canvas

Empire follows art and not vice versa as Englishmen suppose.

William Blake

The man who never alters his opinions is like standing water, and breeds reptiles of the mind.

William Blake

The man who never in his mind and thoughts travel’d to heaven is no artist.

William Blake

To see a world in a grain of sand and heaven in a wild flower

Hold infinity in the palms of your hand and eternity in an hour.
William Blake

The true method of knowledge is experiment.

William Blake

As a man is, so he sees. As the eye is formed, such are its powers.
William Blake

He who binds to himself a joy Does the winged life destroy; But he who kisses the joy as it flies Lives in eternity’s sun rise.
William Blake

I must create a system or be enslaved by another mans; I will not reason and compare: my business is to create.

William Blake

Great things are done when men and mountains meet

William Blake

Prose by William Blake-1757-1827

All paintings by myself, many of these and many more will be displayed at my forthcoming exhibition 

I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every man,
In every infant’s cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:

London- William Blake

I thought I’d drag it out and post it as it seems to have gained new significance…

2008 Mixed Media on Four Canvases 200mm x 200mm

From ‘The Holographic Universe’ by Michael Talbot

…there is compelling evidence that the only time quanta ever manifest as particles is when we are looking at them. For instance, when an electron isn’t being looked at, experimental findings suggest that it is always a wave….

Once again this seems more like magic than the kind of behavior we are accustomed to expect from the natural world. Imagine owning a bowling ball that was only a bowling ball when you looked at it. If you sprinkled talcum powder all over a bowling lane and rolled such a “quantum” bowling ball toward the pins, it would trace a single line through the talcum powder while you were watching it. But if you blinked while it was in transit, you would find that for the second or two you were not looking at it the bowling ball stopped tracing a line and instead left a broad wavy strip, like the undulating swath of a desert snake as it moves sideways over the sand….

Such a situation is comparable to the one quantum physicists encountered when they first uncovered evidence that quanta coalesce into particles only when they are being observed.

Physicist Nick Herbert, a supporter of this interpretation, says this has sometimes caused him to imagine that behind his back the world is always,

“a radically ambiguous and ceaselessly flowing quantum soup.”

But whenever he turns around and tries to see the soup, his glance instantly freezes it and turns it back into ordinary reality. He believes this makes us all a little like Midas, the legendary king who never knew the feel of silk or the caress of a human hand because everything he touched turned to gold.

“Likewise humans can never experience the true texture of quantum reality,” says Herbert, “because everything we touch turns to matter.”

…

Buy This Book it may change the way you look at things.

This painting will be shown at my forthcoming exhibition. Get the feed for all news here