Across The Tracks and Through The Looking Glass

Newly finished canvas, ‘Let There Be More Light’, oil 90cm x 90cm

Inspired by the old Pink Floyd song of the same name from when they were still a psychedelic rock band, from the Saucerful of Secrets LP 1968, and visions it first brought to my head when listening to it many years ago (and still does); hip hop hippy, pre acid house walkman trip man.

 I did all the artwork for Arcadia, one of the highlights of Glastonbury 2010, the Festival’s 40th Birthday, the hottest on record and some say the best yet…

 

For two weeks we relished the bliss of perfect English midsummer in the most mystical part of the country, Glastonbury, where ley lines meet and legends were born, in The Vale of Avalon, the ancient mythic gateway to the heathen goddess; a place of pilgrimage for millennia.

I was onsite with the team of militant revolutionary dreamers and genius engineers known as Arcadia, easily the best sound system around and quite possibly the greatest show on earth.

Their meticulous attention to detail and fantastic organisation extends to the busy site canteen who kept me fed and watered with an ever-changing array of fresh veggie delights and herbal teas….

I painted anarcho punk slogans since 82 then graffiti at the birth of UK hip hop in 84, onto London’s tube system in 86 through the golden age of train graffiti moving to acid house backdrops in 89. The nineties and new millenium saw me painting at traveller squat parties and Reclaim the Streets protest raves. Throughout the quiet renaissance of classical, surreal and visionary oil painting I was at the easel and fused my skills back with graffiti in Shoreditch in 2009 then onto MuTate Britain with the Mutoid Waste Company in Ladbroke Grove under the Westway…

Now in 2010 I feel glad to have played a small part by painting for the next underground zeitgeist, one which takes influence and energy from all those phenomenon and more, but boldly maps out a new frontier that is purely its’ own…ARCADIA.

Like all underground revolutionary movements the gold rush is for the inner treasure. The ultimate reward is the accomplishment of the dream and the actualisation of the idea. At Glastonbury 2010 Arcadia surpassed all expectations and reached dizzying new heights of inspiration, engineering, teamwork, sculpture, music, lighting, pyrotechnics, performance art and energy as this film shows….

 

The Build

 

 

When we arrived onsite the Afterburner stage was still in its early stages, the ‘legs’ of the spider are actually scrap from customs xray machines that used to scan containers and lorries. Pure genius…

The core of the beast is expertly manoevered into place…

…and it shows its’ face.

In keeping with Arcadia’s militant branding and apocalyptic atmosphere I did the line-up board using their trademark stencil lettering, and carefully distressed the fragments of plane for that ‘hauled out of the swamp 5 years after the crash’ look….

 

…with lots of help from capable hands.

The entrance arch is a couple of modified plane wings, possibly from a glider, it’d been rubbed down to the bare aluminium so to keep the burnished metal intact on the ‘pipes’ I used Belton’s amazing transparent black spray paint to get the relief modelling without losing the wonderful texture which gleamed from underneath as the sun caught the metal…The design was finalised between myself and Pip Rush and based on carvings on an ancient Aztec  temple….

 

Here’s a video of the build in progress.

 

The line-up boards go up….

I then cut back over the black with Belton’s burner chrome to get a contrast against the aluminium and carefully painted the pop rivets and ‘crazy paving’ seams by hand.

 

Pip was keen to use my ‘Circuit Splat’ style so I modified it to pure abstraction with a vivid tribal background on some pieces of aeroplane scrap to hang behind the massive ‘Arc Bar’, the sun was pounding down…

 

After painting ‘til twilight the lights go on on the new Afterburner for the very first time and the eerie entity blinks into life.

Next day the crew finish building ‘stage left’ so I can start the piece.

 

Across the field the punk tent takes shape

After being branded with the Arcadia logo by their prop maker and effects guy, Simon, he begins work on the dirty-metal-effect background for my piece….

…and I start blocking in the arrows. Some respectful inspiration drawn from amigo Keen One here, but in 3 dimensions and distressed with a strong Elate/Arcadia twist….

 

….and lots of rivets, seams, gleams, glints and the Arcadia logo in the centre….

….everyone seemed to really like this.

 

Here the graffiti began to fuse with scrap art by Simon and Sam…

 

Finally after sweat and dedication, blisters, sprains and minor sunstroke Arcadia opened on Thursday 24th June 2010 to the public ….

  …who went nuts….while many crew take the opportunity to sleep until rested before re-emerging to enjoy the weekend.

My art at the Arcadia Arc Bar ‘scuse the poor shots

 

You could feel the heat on your face from the other side of the field. Experience Arcadia, they’re doing amazing things.

 

I’ll let the Lords of Lightning sign off this post as only they know how.

All pictures of Arcadia build by me and Jenny apart from a few select shots of Afterburner show and Glastonbury used  with permission Creative Commons and taken by Luke Blackmore, lusciousblopster, mark-vauxhall, medalliamagpie, Tangentical, fussy onion, Al Green midlander123 and bfirsh; thanks to all.

Massive thanks to Pip and Bertie and all Arcadia crew.

We kick off part two of this post with the golden age train writer Cazbee 53 from DSS Crew Da Sure Shots, from Ladbroke Grove piecing the outer wall of the MuTate Britain mechanical zoo….Many of Cazbees pieces rolled past this spot on trains,or were under the Westway itself.

Now he’s back 20 years later, along with oldskool steel writers Fuel, Skore, Mear, Crok, Don myself and a few of London’s more new skool to take the vibe back to the raw, enabling a potent and complementary mix of the hardcore underground vibes and tribes….

 

 

and back inside for another shot of me and Vibes….

……and onto the wild, diverse art within, here’s Jimmy South of War Boutique

 

 

Lyle Doghead, LRRY and friend

Elate, Obey

Anarchist Crockery by Carrie Reichart

In Dog We Trust by Jolly Good, made with real dollar bills…

 

  Vera Bong

Dotmaster

 

 

The toilets…

 

New Arrivals…

What I have posted is a fraction of what is there, you really have to get down to this 12,000 foot space and experience the most revolutionary art happening London, probably even the world has ever seen.

The future is unwritten!!!

The Mutate Britain shop is now online check it here!!!!

Families are welcome to this multisensory extravaganza!.

Full dates and opening times below. We look forwarding to seeing you!

Opening times:

Opens December 4th to December 20th – FRI / SAT / SUN

Fri – 2pm -10pm
Sat-1pm – 10pm
Sun – 12pm-9pm

We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm

FRI & SAT (NO ENTRY AFTER 9PM)

SUN (NO ENTRY AFTER 8PM)

£2 before 6pm / £3 there after’

www.mutatebritain.co.uk

www.mutatebritain.wordpress.com

facebook mutatebritain

www.myspace.com/mutatebritain

 

Here’s some more pictures from the MuTate Britain Winter Show. I’m going to be adding a whole load more as a separate post at the weekend at some point as I need to rephotograph stuff to a half decent standard.

This has to be one of the best art exhibitions anywhere ever in my humble opinion and I’m very glad to have had a hand in it….If you like your surrealism apocalyptic your graffiti groundbreaking your grime genuine and your people straight up this is the place for you…..We kick of with Rubbish Fairy and House of Doll

 

 

Mear

Skore TRC

Crok

Achy

Towns

Fuel

Joe Rush

   Elate Vibes Lyle Doghead and LRRY and Pakka

Lyle Doghead and LRRY and Pakka with plane by Sam Haggerty and Dotmasters

Teddy Baden

Joe Rush

 

Wreckage International

 

 

Joe Rush and others

Sam Haggerty

War Boutique

 

 

Joe Rush

Sam Haggerty and Joe Rush

Obey Giant

Wolf and PXL

Andy Seize

Elate Vibes

Dotmasters aka Bagsy

Sam Hagarty and Dotmasters

Liam Cordy

Joe Rush

Mutoid Dave and others…

Elate Cazbee

Pure Indulgence

Families are welcome to this multisensory extravaganza!.

Full dates and opening times below. We look forwarding to seeing you!

Opening times:

Opens December 4th to December 20th – FRI / SAT / SUN

Fri – 2pm -10pm
Sat-1pm – 10pm
Sun – 12pm-9pm

We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm

FRI & SAT (NO ENTRY AFTER 9PM)

SUN (NO ENTRY AFTER 8PM)

£2 before 6pm / £3 there after’

www.mutatebritain.co.uk

www.mutatebritain.wordpress.com

facebook mutatebritain

www.myspace.com/mutatebritain

‘If This Is Peace…’ 

Oil on Canvas

I’ve been posting a lot of graffiti based stuff lately, but I never forget my love for good old oil on canvas, so here’s a little something I knocked up way back in the late 90’s called ‘Living Under The Lines’.

I realise it’s already on my main site but thought it deserved a post on the blog as the definitions of what categorisation it may fall into seem have been redefined

I suppose now they call it Lowbrow/ Pop Surrealism. I like to think of it maybe as Urban Visionary but hell what’s in a name, label, tag, school or ism?

It is what it is.

To me at the time it was just a feeling I wanted to get onto canvas. I think I hit the mark.

 

Here’s an oil painting I did way back in 1998.

I thought I’d drag it out and post it as it seems to have gained new significance…

 

Phosphene Generation: Cropped from Original Oil Painting- Inverted in Photoshop

 

I’ve started some new canvases, based on some old ideas. Some of these are mutating and jumping off onto paper into graffiti outlines.

rant begins after the jump….

Read more…

The Future of Computers: Mixed media on four canvases: 200mm x200mm

What strange new lands coalesce and take form….

Read more…