The spirit and brotherhood of Hip Hop and Graffiti lives on and gains momentum in London in 2010. Thanks to Chrome and Black for organising a wicked Jam in the Leake Street tunnel for real graffiti writers….“The Battle of Waterloo”…
Although it was a crew battle the rivalry was friendly and lots of people, myself included just down purely to hook up with old pals and maybe stick a little something up…I love to paint Vaughn Bode influenced characters as has been done in graffiti since the mid-‘70s; this jam provided the perfect excuse.
This post continues with lots more pics after the jump; although not great quality and not catching all the pieces, my camera broke so I was using camera on phone and drinking, and Jenny kindly took some on her wanderings, so it’s more like the vibe of the day…….
Thanks to to Keen 53 and Sharn.E for organising such a wicked weekend, (a few of us started on Friday evening) it really was the ultimate London oldskool writers’ reunion at a wonderful spot, alongside the Thames with writers painting alongside each other for what seemed like miles…
My unfinished Elate piece by me with help from Jenny and Drew, featuring 1962 rolling stock fill and featuring personal additions from Envy, Time, Keen 53, Sharn.E, Prime WRH, Wish, Part Two, Fuem ACR, Carl 131, Merc, Coad 5, Fuel, Kis 42, Fued, Colt 45, Cazbee DSS, Hit and Urge. People competed over the best spots on ‘the train’ to hit, just like in the old days, it was lots of fun…here’s the view across the river Thames from my spot…
After last years Covent Garden ‘writers bench’ reunion was so well attended and instantly became the stuff of legend, the organiser Keen 53 and Sian decided to take it to the next level and take it to a spot where we could all paint our own pieces with tunes ,a barbeque a gazebo and all the necessary bits and pieces for an amazing day out, but miles from anyone who might bother us and in a spectacular location ….
A 7.30 start is a bit much normally but this was good.
…and a trickle of new arrivals…
…kept arriving…
…until we had our own little mini festival going !!
There were so many oldskool writers painting and loads of legends passing through that it was hard to stay focussed on your piece for more than a few minutes until the next reunion, introduction and retelling of cherished stories …
Nearly everyone there was first/second generation (mid-late eighties) London train writer but there were some honorary additions to the roster who all helped to make it a magic day full of real golden moments that will be remembered forever by all.
In attendance were untold legends from Londons’ rich graffiti history of urban and street art, lost in the mists of time but resurrected in the sun to the live the dream once again….
the line up just went on and on as you walked….
….and seemed to go on for half a mile or so….
…. ohthe joy of really not being sold anything … no stealth marketing, cynical serial media re-launches, product placement, fake posturing and definitely no toys, bandwagon jumpers, brown noses, me-me-me-ism, investment strategies, gimmicks or hype (yawn)….
…instead we had over fifty legendary street and urban transit artists and true blood Hip Hop pioneers including Keen 53, Sharn E, Chic, Desire, Envy, Cop 205, Fuel, Prime, Colt 45, DJ Dexter, Bap, Kis42, Brave 1, Skore, Crok, Shye 131, Rave, Urge, Part 2, Crane, Time, Hit, Carl ST, Merc, Coad 5, Fume ACR, Cazbee, Doze, Ebs, Care, Owed, Kee, Fued 28, Rite, Crok, Freehand, Urge, Ebee, Keylow, Jyer, Kem, Mef, Trans 1, Arian WD, Hert, Steam 156 and many more…..
…the art priceless @ $A-Dime-a-Dozen.00
…the smiles and camaraderie heartfelt, contagious and refreshingly universal…
….our vocational thirst tempered by maturity and wisdom…
…the styles diverse, names earned and skills hard won…..
…and the day featuring absolute legends and cornerstones of global urban art history, some of whom were out painting for the first time in quarter of a century…
… ‘respect the architects’ I read on a certain brother’s shirt….
…never was a truer word worn…
….Elate and ‘OAP’ (old and proud) by Keen 53…
Freya, a dedication piece to her daughter, by Sharn.E and a quick stick-up by Kis42
Higher by Cazbee- nicked from his Flickr cheers Caz, great that you’re back out painting…
Big respect and mad love for all who reached and all those who didn’t make it but should have been there, see you next time, thanks a million to Tony and Sian for organising everything and hooking up so many legends in one amazing spot…
Praise be to the weather fairy for the sunshine, was soooo better than last years hailstone thunderstorm washout…. ta for listening gal you dun good dis time. Respect lol
I did all the artwork for Arcadia, one of the highlights of Glastonbury 2010, the Festival’s 40th Birthday, the hottest on record and some say the best yet…
For two weeks we relished the bliss of perfect English midsummer in the most mystical part of the country, Glastonbury, where ley lines meet and legends were born, in The Vale ofAvalon, the ancient mythic gateway to the heathen goddess; a place of pilgrimage for millennia.
I was onsite with the team of militant revolutionary dreamers and genius engineers known as Arcadia, easily the best sound system around and quite possibly the greatest show on earth.
Their meticulous attention to detail and fantastic organisation extends to the busy site canteen who kept me fed and watered with an ever-changing array of fresh veggie delights and herbal teas….
I painted anarcho punk slogans since 82 then graffiti at the birth of UK hip hop in 84, onto London’s tube system in 86 through the golden age of train graffiti moving to acid house backdrops in 89. The nineties and new millenium saw me painting at traveller squat parties and Reclaim the Streets protest raves. Throughout the quiet renaissance of classical, surreal and visionary oil painting I was at the easel and fused my skills back with graffiti in Shoreditch in 2009 then onto MuTate Britain with the Mutoid Waste Company in Ladbroke Grove under the Westway…
Now in 2010 I feel glad to have played a small part by painting for the next underground zeitgeist, one which takes influence and energy from all those phenomenon and more, but boldly maps out a new frontier that is purely its’ own…ARCADIA.
Like all underground revolutionary movements the gold rush is for the inner treasure. The ultimate reward is the accomplishment of the dream and the actualisation of the idea. At Glastonbury 2010 Arcadia surpassed all expectations and reached dizzying new heights of inspiration, engineering, teamwork, sculpture, music, lighting, pyrotechnics, performance art and energy as this film shows….
The Build
When we arrived onsite the Afterburner stage was still in its early stages, the ‘legs’ of the spider are actually scrap from customs xray machines that used to scan containers and lorries. Pure genius…
The core of the beast is expertly manoevered into place…
…and it shows its’ face.
In keeping with Arcadia’s militant branding and apocalyptic atmosphere I did the line-up board using their trademark stencil lettering, and carefully distressed the fragments of plane for that ‘hauled out of the swamp 5 years after the crash’ look….
…with lots of help from capable hands.
The entrance arch is a couple of modified plane wings, possibly from a glider, it’d been rubbed down to the bare aluminium so to keep the burnished metal intact on the ‘pipes’ I used Belton’s amazing transparent black spray paint to get the relief modelling without losing the wonderful texture which gleamed from underneath as the sun caught the metal…The design was finalised between myself and Pip Rush and based on carvings on an ancient Aztec temple….
Here’s a video of the build in progress.
The line-up boards go up….
I then cut back over the black with Belton’s burner chrome to get a contrast against the aluminium and carefully painted the pop rivets and ‘crazy paving’ seams by hand.
Pip was keen to use my ‘Circuit Splat’ style so I modified it to pure abstraction with a vivid tribal background on some pieces of aeroplane scrap to hang behind the massive ‘Arc Bar’, the sun was pounding down…
After painting ‘til twilight the lights go on on the new Afterburner for the very first time and the eerie entity blinks into life.
Next day the crew finish building ‘stage left’ so I can start the piece.
Across the field the punk tent takes shape
After being branded with the Arcadia logo by their prop maker and effects guy, Simon, he begins work on the dirty-metal-effect background for my piece….
…and I start blocking in the arrows. Some respectful inspiration drawn from amigo Keen One here, but in 3 dimensions and distressed with a strong Elate/Arcadia twist….
….and lots of rivets, seams, gleams, glints and the Arcadia logo in the centre….
….everyone seemed to really like this.
Here the graffiti began to fuse with scrap art by Simon and Sam…
Finally after sweat and dedication, blisters, sprains and minor sunstroke Arcadia opened on Thursday 24th June 2010 to the public ….
…who went nuts….while many crew take the opportunity to sleep until rested before re-emerging to enjoy the weekend.
My art at the Arcadia Arc Bar ‘scuse the poor shots
You could feel the heat on your face from the other side of the field. Experience Arcadia, they’re doing amazing things.
I’ll let the Lords of Lightning sign off this post as only they know how.
All pictures of Arcadia build by me and Jenny apart from a few select shots of Afterburner show and Glastonbury used with permission Creative Commons and taken by Luke Blackmore, lusciousblopster, mark-vauxhall, medalliamagpie, Tangentical, fussy onion, Al Green midlander123 and bfirsh; thanks to all.
Massive thanks to Pip and Bertie and all Arcadia crew.
The main attraction for many revellers for the last few years has been one of the smaller, more underground arenas known as Arcadia.
Arcadia is a synchronised pyrotechnic stage and lightshow sculpture arena featuring world class bands and deejays and illuminated by lasers, intelligent lighting, water jets and flamethrowers and is built from military and NASA scrap, primarily jet engine components.
Deejays and bands play live surrounded by what must be the most incredible spectacle of light, smoke and flame on the planet, as tens of thousands of people dance in an ecstasy of ritual theatrics and shamanic pyrotechnics.
Think Heironymous Bosch meets Mad Max versus ‘Close Encounters of the Third Kind’ and you’re getting somewhere.
I was delighted to find out that my painting is thought of so highly by the visionary behind Arcadia, Pip Rush, that I have been asked to design and paint all artwork for the entire Arcadia arena at this years Glastonbury, 2010; the festival’s 40th Birthday.
Pip’s the younger brother of Joe Rush, founder of the Mutoid Waste Company and has spent much of his life since a baby in the delirium of Joe’s events; we share many similar inspirations and themes in our work.
The Hangman’s Beautiful Daughter- A Painting by Me…..
…and some Graffiti by me…..
We put our heads together and have been bouncing ideas backwards and forwards so expect something a bit special.
Year by year Arcadia Spectacular have expanded at Glastonbury, starting off in ‘Trash City’ in 2008 with the Mutoid Waste Company. It was so successful that they were given their own field in 2009, this was in turn so successful that this year, 2010; to quote organiser Micheal Eavis…
"We’re giving over an extra 15 acres to Arcadia …..because the feedback we got on that area was fantastic.”
As a result the Arcadia crew are ramping up the spectacular even further, featuring a new top secret ‘Afterburner’, the main stage structure, which takes the whole show to the next level.
Mutating daredevils on highwires and trapezes will do battle with actual lightning bolts, pyrotechnics and flamethrowers high above the arena in a mid air extravaganza of cosmic significance and electric delight that will bring the ‘invisible world’ into living focus before your very eyes and ears.
I will be doing my best to provide this sensory feast with an incredible surround of amazing art that will help Arcadia to transport minds to places and times far from this dimension.
Thanks to the guys at Chrome and Black paint shop in Shoreditch, East London, yet again, for looking after us so well….
Arcadia Stage Line Up Glastonbury 2010
Weds 23rd-Sun 27th June 2010
DAY
MUSIC ACT
Thursday
evening
King Porter Stomp
FRIDAY
3PM-4PM
Gadjo
4PM-5PM
Astroboy
5PM-6PM
The Soul Jazz Orchestra
6PM-7.30PM
Rob da bank
7.30PM-8.30PM
Swing Zazou
8.30PM-9.30PM
The Correspondents
9.30PM-10PM
light up
10-11PM
Beardyman vs. Arcadia
11PM-12
Foamo
12-12.30AM
Arcadia spectacular featuring Freefall Collective
12.30-1AM
Arcadia allstars
1-2AM
Kissy sell out
2AM-3AM
Dog Show
SATURDAY
3PM-4PM
Joe Acheson Quartet
4PM-5PM
Mr Woodnote
5PM-6PM
The Beat
6PM-7PM
A Skillz
7PM-8PM
Smerins Anti Social Club
8PM-9PM
Dubrovnik DJ set
9PM-9.45PM
Doc Daneeka
9.45PM-10.15PM
light up
10.15-11PM
Dr Meaker
11PM-12
Hostage
12-12.30
Arcadia spectacular featuring Freefall Collective
12.30-2AM
Wonkavision
2-3AM
McMash Clan
SUNDAY
3PM-4PM
Professor Skank and African Simba
4PM-5PM
DJ ASBO
5PM-6PM
Vibronics live
6PM-7PM
Mungo’s Hi Fi featuring MC Ishu
7PM-8PM
Gentlemans dub club
8PM-9.30PM
Powersteppers
9.30PM-10PM
Light up
10-11PM
David Rodigan
11PM-12
Warrior One
12-12.30AM
Arcadia spectacular featuring Freefall Collective
12.30-1AM
Arcadia allstars
1AM-2AM
Passenger records presents: Aquasky & The Ragga Twins (History of Breaks set)
I’d like to say a massive thank you to everyone who has shown me support and encouragement during the ongoing campaign of stalking, harrassment, threats and intimidation, which began shortly after I announced my plans to open a new art gallery in East London.
These events seem to infer that certain people in the ‘street art’ establishment are prepared to use thugs, threats, hackers and dirty tricks. You can read all about this here.
I have had many messages of kindness and support from readers of my blog and people in the art world which have given me great comfort at this difficult time. Thanks to those people.
Thanks also to my family and friends and the bloggers and websites who published the events, put out calls for information, expressed their outrage or linked to the article describing the events including Fatcap, Canned Goods, London Street Art Design, Vandalog, Graphotism, Artshout, Graffiti Spotting and many more…
Thanks to all the guys from London’s graffiti writing and broader art communities who have lifted my spirits with their kindness and support.
Thanks also to the police who have been kind and understanding, know what’s been going on and are taking it seriously.
I have to admit I was a bit apprehensive to go to the police with news of developments, but to their credit, they were very interested in what I had to say and seem to be taking it very seriously.
They requested I keep a log recording any information including unusual sightings and descriptions of people I believe may be involved, events, photos of the threatening artworks which have been appearing from various sources; anything in fact, which could be seen as aggressive or a warning and could possibly be directed against me.
This log remains in my possession and has, of course been backed up and passed to trusted allies but will hopefully never see the light of day.
I had assumed the police would not be interested in veiled and ambiguous threats.
However I have been informed by officers that taking into account the circumstances (especially if these threats continue or anything ‘untoward’ or ‘unusual’ happens to me); that these would become a basis for an investigation.
I was no angel in my youth but it’s at times like this that you realise there are a great many kind, good hearted officers on the force who are genuinely doing a great job for the right reasons and are the last resort when people find themselves the innocent victim of attack, intimidation and harrassment.
These basic tenets of our society is what our proud British freedom of expression and human rights is built on.
All I want is to get on with my life and let other people get on with theirs with no hassle or problems.
We kick off part two of this post with the golden age train writer Cazbee 53 from DSS Crew Da Sure Shots, from Ladbroke Grove piecing the outer wall of the MuTate Britain mechanical zoo….Many of Cazbees pieces rolled past this spot on trains,or were under the Westway itself.
Now he’s back 20 years later, along with oldskool steel writers Fuel, Skore, Mear, Crok, Don myself and a few of London’s more new skool to take the vibe back to the raw, enabling a potent and complementary mix of the hardcore underground vibes and tribes….
and back inside for another shot of me and Vibes….
……and onto the wild, diverse art within, here’s Jimmy South of War Boutique
Lyle Doghead, LRRY and friend
Elate, Obey
Anarchist Crockery by Carrie Reichart
In Dog We Trust by Jolly Good, made with real dollar bills…
Vera Bong
Dotmaster
The toilets…
New Arrivals…
What I have posted is a fraction of what is there, you really have to get down to this 12,000 foot space and experience the most revolutionary art happening London, probably even the world has ever seen.
Here’s some more pictures from the MuTate Britain Winter Show. I’m going to be adding a whole load more as a separate post at the weekend at some point as I need to rephotograph stuff to a half decent standard.
This has to be one of the best art exhibitions anywhere ever in my humble opinion and I’m very glad to have had a hand in it….If you like your surrealism apocalyptic your graffiti groundbreaking your grime genuine and your people straight up this is the place for you…..We kick of with Rubbish Fairy and House of Doll
Mear
Skore TRC
Crok
Achy
Towns
Fuel
Joe Rush
Elate Vibes Lyle Doghead and LRRY and Pakka
Lyle Doghead and LRRY and Pakka with plane by Sam Haggerty and Dotmasters
Teddy Baden
Joe Rush
Wreckage International
Joe Rush and others
Sam Haggerty
War Boutique
Joe Rush
Sam Haggerty and Joe Rush
Obey Giant
Wolf and PXL
Andy Seize
Elate Vibes
Dotmasters aka Bagsy
Sam Hagarty and Dotmasters
Liam Cordy
Joe Rush
Mutoid Dave and others…
Elate Cazbee
Pure Indulgence
Families are welcome to this multisensory extravaganza!.
Full dates and opening times below. We look forwarding to seeing you!
Opening times:
Opens December 4th to December 20th – FRI / SAT / SUN
Fri – 2pm -10pm Sat-1pm – 10pm Sun – 12pm-9pm
We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm
‘One Foot in the Grove’ is back from the 4th of December.
‘Our festival of underground art provides a welcoming, inclusive and visually astounding experience for all ages in an atmospheric 12,000 square foot setting just off Portobello Road. Walk amongst giant sculptures, installations and unique artwork and hang out for good times at our licensed bar with proper music and delicious grub.
We are featuring loads of new work including an epic wall by Elate, Vibes and Obey Giant that cracks and crumbles the Westway to rubble before your eyes!
There’s new work by Joe Rush, a giant collaboration by Sam Haggerty and Dotmasters, new pieces by Teddy Baden, Wreckage, Seize, Code FC, Bleach, Best Ever, Zadok, Fuel, Skore, Crok, Mear, Towns, K-Guy, to name but a few, also light installations, lasers, stalls, bric a brac, curios, and anarchist crockery.
We have rehung our gallery room that offers exclusive posters, prints, originals, sculptures, photography, clothing and object d’art that make perfect prezzies for you and your discerning friends and family.
We provide that much needed alternative to the Xmas chaos of Oxford Street – so don’t miss out on the best show in town.
See giant fire-breathing robots walking, drink at our licensed bar, see and hear film shows, trains thundering past and experience an authentic friendly festival vibe in the heart of London.
This promises to be London’s biggest, most inclusive, interactive and underground street art event this Christmas.
Families are welcome to this multisensory extravaganza!.
Full dates and opening times below. We look forwarding to seeing you!
Opening times:
Opens December 4th to December 20th – FRI / SAT / SUN
Fri – 2pm -10pm Sat-1pm – 10pm Sun – 12pm-9pm
We are also open 2 Wednesdays for the Portobello Winter Festival on the 9th & 16th December – 6pm -10pm
For those that haven’t heard, the exhibition One Foot in the Grove by Mutate Britain is currently on under the Westway, Ladbroke Grove, West London; each weekend until November the 1st 2009, 12-10pm.
The Westway is where the UK graffiti scene started in earnest when the Clash bought Futura 2000 there to paint in 1982.
The Mutoid Waste Company are a travelling band of punk-squatter mechanic artists led by Joe Rush that infected the acid house party movement with their dark and surreal bio-mechanoid humour, building scrap metal wastelands and delirious mindscapes in a shock juxtaposition of realities guaranteed to give any trip a hair raising edge.
Think Heironymous Bosch versus Tron and you’re getting somewhere…
Inspired by the desolation of the 80s to escape into a parallel post apocalyptic universe they inspired a generation to create, myself included.
Some of the best acid parties I attended in the late Eighties and early Nineties had input from the Mutoid Waste Crew or their many splinter groups Circus Irritant, Circus Warp, Splattered Fantasy etc, these plunged my young, impressionable and highly expanded consciousness into a Bermuda Triangle of anamorphic archetypes, cyborg spectres and grotesque apparitions in parody of human and machine form, fractured and echoed by laser and strobe, syncopated and shaken with deafening electronic bass.
The vibe was always intensely surreal, the most outrageously attired and hideously painted forms appeared from the flickering fog in theatrical convulsions, the music was the most twisted repetitive acid, deep and tribal, which stripped the senses gradually to total derangement, beat after pounding beat, until finally at one with the music the chaotic environment and your inner world became one.
Now twenty years later the Mutoids are under the Westway, and it’s not a squat, the police are not outside, the pounding house and techno has been replaced by an eclectic mix including ragga, reggae, punk, soca and rockabilly and the sweating, swaying trance-dancers have grown into bespectacled media professionals pushing buggys.
They still roll out the 303 acid sound when the fire-breathing machines get loose though…
Their amazing signature art, friendly warm family atmosphere and tongue-in-cheek vibe is however present in abundance, accessible and inspirational to the whole family, exhibited together with an array of street and graffiti art, so when I was asked to come and paint a wall I was honoured to oblige, being able to give something back to the community that gave so much inspiration to me in the mad days of the late eighties and early nineties!
It was very short notice so I improvised with some graffiti letters with a twist ….
There is no doubt in my mind from the captivated expressions on the faces of their visitors that their inspiration will grow into new and exciting ideas in years to come.
Below you will find details of how to get there and when it’s open. It’s one of London’s biggest underground art events ever. So don’t just hear about it, watch the video, read the info, explore the blog and get down to the show! We promise to look after you with our fully licensed bar, delicious food and inclusive festival atmosphere. There honestly, really and truly is no better way to enjoy art.
