Across The Tracks and Through The Looking Glass

Thanks to to Keen 53 and Sharn.E for organising such a wicked weekend, (a few of us started on Friday evening) it really was the ultimate London oldskool writers’ reunion at a wonderful spot, alongside the Thames with writers painting alongside each other for what seemed like miles…

My unfinished Elate piece by me with help from Jenny and Drew, featuring  1962 rolling stock  fill and featuring personal additions from Envy, Time, Keen 53, Sharn.E, Prime WRH, Wish, Part Two, Fuem ACR, Carl 131, Merc, Coad 5, Fuel, Kis 42, Fued, Colt 45,  Cazbee DSS, Hit and Urge. People competed over the best spots on ‘the train’ to hit, just like in the old days, it was lots of fun…here’s the view across the river Thames from my spot…

After last years Covent Garden ‘writers bench’ reunion was so well attended and instantly became the stuff of legend, the organiser Keen 53 and Sian decided to take it to the next level and take it to a spot where we could all paint our own pieces with tunes ,a barbeque a gazebo and all the necessary bits and pieces for an amazing day out, but miles from anyone who might bother us and in a spectacular location ….

  A 7.30 start is a bit much normally but this was good.

…and a trickle of new arrivals…

…kept arriving… 

…until we had our own little mini festival going !!

 

There were so many oldskool writers painting and loads of legends passing through that it was hard to stay focussed on your piece for more than a few minutes until the next reunion, introduction and retelling of cherished stories …

Nearly everyone there was first/second generation (mid-late eighties) London train writer but there were some honorary additions to the roster who all helped to make it a magic day full of real golden moments that will be remembered forever by all.

In attendance were untold legends from Londons’ rich graffiti history of urban and street art, lost in the mists of time but resurrected in the sun to the live the dream once again….

the line up just went on and on as you walked…. 

 

  

  ….and seemed to go on for half a mile or so….

…. oh the joy of really not being sold anything … no stealth marketing, cynical serial media re-launches, product placement, fake posturing and definitely no toys, bandwagon jumpers, brown noses, me-me-me-ism,  investment strategies, gimmicks or hype (yawn)….

…instead we had over fifty legendary street and urban transit artists and true blood Hip Hop pioneers including Keen 53, Sharn E, Chic, Desire, Envy, Cop 205, Fuel, Prime, Colt 45, DJ Dexter, Bap, Kis42, Brave 1, Skore, Crok, Shye 131, Rave, Urge, Part 2, Crane, Time, Hit, Carl ST, Merc, Coad 5, Fume ACR, Cazbee, Doze, Ebs, Care, Owed, Kee, Fued 28, Rite, Crok,  Freehand, Urge, Ebee, Keylow, Jyer, Kem, Mef, Trans 1, Arian WD, Hert, Steam 156 and many more…..

 

…the art priceless @  $A-Dime-a-Dozen.00

 …the smiles and camaraderie heartfelt, contagious and refreshingly universal…

….our vocational thirst tempered by maturity and wisdom…

…the styles diverse, names earned and skills hard won…..

…and the day featuring absolute legends and cornerstones of global urban art history, some of whom were out painting for the first time in quarter of a century…

… ‘respect the architects’ I read on a certain brother’s shirt….

 

…never was a truer word worn…

 

  

….Elate and ‘OAP’ (old and proud) by Keen 53…

Freya, a dedication piece to her daughter,  by Sharn.E and a quick stick-up by Kis42

 Higher by Cazbee- nicked from his Flickr cheers Caz, great that you’re back out painting…

Big respect and mad love for all who reached and all those who didn’t make it but should have been there, see you next time, thanks a million to Tony and Sian for organising everything and hooking up so many legends in one amazing spot…

Praise be to the weather fairy for the sunshine, was soooo better than last years hailstone thunderstorm washout…. ta for listening gal you dun good dis time. Respect lol

 I did all the artwork for Arcadia, one of the highlights of Glastonbury 2010, the Festival’s 40th Birthday, the hottest on record and some say the best yet…

 

For two weeks we relished the bliss of perfect English midsummer in the most mystical part of the country, Glastonbury, where ley lines meet and legends were born, in The Vale of Avalon, the ancient mythic gateway to the heathen goddess; a place of pilgrimage for millennia.

I was onsite with the team of militant revolutionary dreamers and genius engineers known as Arcadia, easily the best sound system around and quite possibly the greatest show on earth.

Their meticulous attention to detail and fantastic organisation extends to the busy site canteen who kept me fed and watered with an ever-changing array of fresh veggie delights and herbal teas….

I painted anarcho punk slogans since 82 then graffiti at the birth of UK hip hop in 84, onto London’s tube system in 86 through the golden age of train graffiti moving to acid house backdrops in 89. The nineties and new millenium saw me painting at traveller squat parties and Reclaim the Streets protest raves. Throughout the quiet renaissance of classical, surreal and visionary oil painting I was at the easel and fused my skills back with graffiti in Shoreditch in 2009 then onto MuTate Britain with the Mutoid Waste Company in Ladbroke Grove under the Westway…

Now in 2010 I feel glad to have played a small part by painting for the next underground zeitgeist, one which takes influence and energy from all those phenomenon and more, but boldly maps out a new frontier that is purely its’ own…ARCADIA.

Like all underground revolutionary movements the gold rush is for the inner treasure. The ultimate reward is the accomplishment of the dream and the actualisation of the idea. At Glastonbury 2010 Arcadia surpassed all expectations and reached dizzying new heights of inspiration, engineering, teamwork, sculpture, music, lighting, pyrotechnics, performance art and energy as this film shows….

 

The Build

 

 

When we arrived onsite the Afterburner stage was still in its early stages, the ‘legs’ of the spider are actually scrap from customs xray machines that used to scan containers and lorries. Pure genius…

The core of the beast is expertly manoevered into place…

…and it shows its’ face.

In keeping with Arcadia’s militant branding and apocalyptic atmosphere I did the line-up board using their trademark stencil lettering, and carefully distressed the fragments of plane for that ‘hauled out of the swamp 5 years after the crash’ look….

 

…with lots of help from capable hands.

The entrance arch is a couple of modified plane wings, possibly from a glider, it’d been rubbed down to the bare aluminium so to keep the burnished metal intact on the ‘pipes’ I used Belton’s amazing transparent black spray paint to get the relief modelling without losing the wonderful texture which gleamed from underneath as the sun caught the metal…The design was finalised between myself and Pip Rush and based on carvings on an ancient Aztec  temple….

 

Here’s a video of the build in progress.

 

The line-up boards go up….

I then cut back over the black with Belton’s burner chrome to get a contrast against the aluminium and carefully painted the pop rivets and ‘crazy paving’ seams by hand.

 

Pip was keen to use my ‘Circuit Splat’ style so I modified it to pure abstraction with a vivid tribal background on some pieces of aeroplane scrap to hang behind the massive ‘Arc Bar’, the sun was pounding down…

 

After painting ‘til twilight the lights go on on the new Afterburner for the very first time and the eerie entity blinks into life.

Next day the crew finish building ‘stage left’ so I can start the piece.

 

Across the field the punk tent takes shape

After being branded with the Arcadia logo by their prop maker and effects guy, Simon, he begins work on the dirty-metal-effect background for my piece….

…and I start blocking in the arrows. Some respectful inspiration drawn from amigo Keen One here, but in 3 dimensions and distressed with a strong Elate/Arcadia twist….

 

….and lots of rivets, seams, gleams, glints and the Arcadia logo in the centre….

….everyone seemed to really like this.

 

Here the graffiti began to fuse with scrap art by Simon and Sam…

 

Finally after sweat and dedication, blisters, sprains and minor sunstroke Arcadia opened on Thursday 24th June 2010 to the public ….

  …who went nuts….while many crew take the opportunity to sleep until rested before re-emerging to enjoy the weekend.

My art at the Arcadia Arc Bar ‘scuse the poor shots

 

You could feel the heat on your face from the other side of the field. Experience Arcadia, they’re doing amazing things.

 

I’ll let the Lords of Lightning sign off this post as only they know how.

All pictures of Arcadia build by me and Jenny apart from a few select shots of Afterburner show and Glastonbury used  with permission Creative Commons and taken by Luke Blackmore, lusciousblopster, mark-vauxhall, medalliamagpie, Tangentical, fussy onion, Al Green midlander123 and bfirsh; thanks to all.

Massive thanks to Pip and Bertie and all Arcadia crew.

I came up to Plaistow Hall of Fame, East London to meet Keen One with the intention of spending a sunny day drinking beer and maybe putting a little something up myself…

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I was invited in to paint a small piece of this monster wall by Aks, graffiti artist and the events

co-ordinator. Situated between Shoreditch high street and Brick Lane and opposite the new Chrome and Black shop with the Rarekind Gallery downstairs, this is London’s graffiti central. In the next street is Sclater Street Hall of Fame.

This is now East London’s most visible and longest graffiti wall and is at the heart of the most graffitied area in the country. The wall is a youth project organised by Richmix for young people to learn graffiti with experts and professionals such as the legendary Prime, a face I Iast saw at the Covent Garden ‘writers bench’ in around ‘89.

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